The NewImages Festival, held annually in Paris at the iconic Planétarium at Cité des sciences et de l’industrie, stands as one of the premier international gatherings dedicated to immersive and XR storytelling. Celebrated for its cutting-edge showcases, the festival brings together a vibrant community of artists, producers, technologists, and cultural institutions from around the globe. This year’s edition marks a significant evolution as it included the fulldome format in competition for the very first time, a move that underscores the festival’s commitment to expanding the boundaries of immersive cinema and spotlighting diverse narrative forms within the fulldome landscape. Attendees can expect a rich blend of innovative virtual reality, augmented reality, and fulldome experiences, complemented by industry talks, exhibitions, and networking opportunities that foster collaboration across the global XR community.
Among the standout moments of this year’s festival was the awarding of the Grand Prize in the dome competition to the Welsh studio 4Pi Productions for their latest fulldome film, The Rift. The film has been on an impressive international trajectory since its world premiere at the International Documentary Film Festival Amsterdam (IDFA) in November 2025. Janire Najera, Creative Director of 4Pi Productions, expressed the team’s deep appreciation, saying, “This recognition is an incredible honour for the entire team behind the project. This film was built through genuine collaboration between artists in Wales and Zimbabwe and seeing audiences respond so strongly to it has been incredibly rewarding.” The film’s unique blend of contemporary dance, immersive sound and visuals, and powerful thematic focus on climate change through the lens of human and natural interconnectedness was central to its acclaim. Featuring the evocative music Mvura by Mary Anibal, remixed by NO SHAPE, The Rift follows four dancers across varied Zimbabwean landscapes, embodying resilience and tension in a world under environmental stress.
The NewImages Festival serves as a dynamic hub where the latest trends in immersive storytelling are not only showcased but also shaped. The inclusion of the fulldome format in competition reflects broader shifts in the industry toward embracing diverse media formats that harness immersive technology to craft compelling, multisensory narratives. This year’s program highlights the increasing crossover between art and technology, with XR Labs facilitating international collaborations like that which birthed The Rift. The collaboration between Welsh and Zimbabwean creatives, supported by the British Council’s International Collaboration programme, highlights an emerging trend in immersive arts that values cross-cultural storytelling and skills development. This emphasis on empowerment, training, and knowledge transfer, particularly to emerging female creatives known as the “Future Femmes,” speaks to a growing focus on inclusivity and sustainability within the immersive arts sector.
The festival also reveals exciting directions for the future of fulldome cinema. Films that fuse traditional art forms such as dance with advanced technologies and environmental themes underline a broadening narrative scope and experimentation with form. The Dance Dome platform by 4Pi Productions, now in its fifth iteration with The Rift, has continuously pushed the boundaries of what fulldome experiences can convey. Its international footprint—from installations spanning Norway to Macau and from Melbourne’s planetarium to the Charles C. Gates Planetarium in Denver—demonstrates a wide and varied audience hunger for such innovative works. This year’s inclusion of fulldome art not only introduces audiences and industry insiders to the medium’s growing potential but also signals a pivotal opportunity for artists and creators to explore immersive narratives beyond VR and AR.
For fulldome creators and venue operators, NewImages Festival’s evolving program offers a compelling reason to engage closely with this dynamic platform. The establishment of the fulldome competition category means that creators now have a prestigious international venue to showcase their works where both exposure and potential collaboration abound. Furthermore, the festival’s stature in the immersive XR community can help fulldome productions gain traction, leading to broader touring and exhibition opportunities worldwide. As the global immersive arts community continues to expand its horizons, events like NewImages set the tone for audience expectations—favoring innovative, multisensory experiences grounded in rich storytelling and cultural relevance. For venues, this translates to an expanding slate of quality fulldome content to enrich programming and meet the appetites of increasingly sophisticated audiences.
In summary, the NewImages Festival stands as a beacon for the immersive arts industry, fostering new creative collaborations, celebrating groundbreaking works like The Rift, and charting exciting trends in fulldome storytelling. As the medium garners more recognition, creators and venue operators alike should view this festival as an essential platform to connect, innovate, and elevate their work within the vibrant global ecosystem of immersive cinema.
Originally reported by via arts.wales on 2026-04-13 00:00:00.
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