From October 9 to 12, Brno plays host to the 11th edition of Prototyp, an interdisciplinary festival that seamlessly merges art, science, and technology within the haunting subterranean spaces of the Žlutý kopec Water Reservoirs. Unlike traditional art exhibits, Prototyp transforms these historic water reservoirs—a subterranean network of tanks and vaults originally intended for urban water supply—into dynamic immersive environments. By converting these often-overlooked industrial spaces into vivid canvases of light, sound, and experimentation, the festival offers a deeply sensory and experiential journey that invites public engagement in new ways. This initiative exemplifies the potential for creative programming to engage audiences across disciplines, fostering awareness not only of contemporary artistic practices but also of the cultural and environmental significance of repurposed urban infrastructure.
Prototyp stands as a progressive platform where the boundaries between art, science, design, and engineering blur. Over four days, visitors navigate an immersive labyrinth crafted by over two dozen international and Czech artists, encountering installations, interactive projections, and performances devoid of commentary or guided tours. This approach places the onus on visitors to independently interpret and connect with the artworks and the space itself, fostering a more personal and reflexive learning experience. Importantly, the festival’s ethos—”When art, science & technology collide”—illuminates how these fields accelerate each other’s evolution, enriching public understanding of technological advancements while grounding them in human creativity and ecological context.
Festival curator insights emphasize the transformative power of Prototyp’s venue. The underground reservoirs, described as an “underground cathedral,” leverage their vaulted architecture to carve out spatial narratives through light and sound, making visitors active participants rather than passive observers. This is highlighted by the organizers’ advisory regarding the challenging path and sensory design, which includes strobe effects and dim lighting, all constructed to deepen immersion and heighten perception. As the festival organizers note, this is “not merely observing art, but navigating through it,” underscoring the event’s fundamental engagement with body, space, and technology.
Several featured works further articulate Prototyp’s interdisciplinary and exploratory nature. Australian artist Andy Thomas’s Visual Bird Sounds translates natural birdsong into hypnotic visual abstractions, weaving biology into digital data art. Jakub Nepraš’s Fossil, site-specific to the reservoirs, evokes themes of memory and time, provoking contemplations that extend beyond aesthetics into philosophical realms. Interactive pieces, such as Alex Dowis’s light painting and Leo Bettinelli’s Laser Harp Q, push boundaries between audience and artwork, blending sensory input with creative output in a fluid dialogue. Slovak artist sedemminut’s FOR PEACE! explores freedom and perception kinetically, inviting visitors into a physical experience of shifting momentum. On the fashion front, designers Klára Žídková and Natalyia Grimberg innovate through AI co-creation and 3D printing, incorporating technology into wearable art and signaling future directions for creative industries.
Prototyp’s inclusion of 360° fulldome cinema at the Brno Observatory and Planetarium extends the theme of immersive education into cosmic dimensions. Works such as Écosystème, which explores underwater soundscapes, and Protist Rhapsody, connecting life from micro to macro scales, exemplify the festival’s commitment to blending scientific inquiry with artistic sensibility. These fulldome experiences not only engage diverse audiences with planetary and ecological narratives but also serve as educational tools that align with STEAM principles, encouraging holistic learning that integrates science, technology, and arts. The festival’s concurrent conference on AI in art and education further demonstrates a commitment to shaping future pedagogies and advancing discourse about technology’s role in creative learning environments.
The impact of Prototyp extends beyond mere spectacle. By mapping an unconventional and challenging route through historic urban infrastructure, it invites audiences to reconsider their relationship with space, perception, and interdisciplinary knowledge. Its collaborations with universities, museums, and tech institutions as part of the larger Brno Creative Days initiative foster ongoing dialogue and seed long-term innovation. This population of creative and scientific networks exemplifies effective community engagement, a crucial element for public education in contemporary contexts. By providing workshops suitable for all ages alongside high-tech exhibitions, Prototyp embraces inclusivity, accessibility, and active participation, hallmarks of impactful modern learning experiences.
Prototyp’s innovative use of subterranean reservoirs and fulldome expanded cinema contributes meaningfully to the field of immersive education. It exemplifies how integrating cutting-edge artistic and scientific content into unexpected spaces can dramatically broaden access to planetarium-style learning beyond traditional settings. This model champions experiential learning that is multisensorial, participatory, and transdisciplinary—potentials that many educational institutions and content creators can draw inspiration from. In pushing boundaries between art, science, and technology, Prototyp not only enriches Brno’s cultural landscape but also offers a beacon for future immersive educational design worldwide.
Originally reported by via brnodaily.com on 2025-10-10 06:02:00.
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